TRYING TO WRITE A REVIEW

I hate everything.  That’s my new mantra.  I think I need a therapist but when I get a little extra money I’m ecstatic so I’m not sure about the therapist thing.  Money is not the root of all evil and money does motherfucking buy happiness.  You know when I’m happy?  When I have money.  You know who gets a lot of money?  Therapists.  I’m over it.  I’m so frustrated with the universe right now.  Fuck.  My buddy emails me his wife needs reviews written for her book and since I’m a huge fan of her work, first reading her articles in New York Magazine (you can find her articles here: Mandys Articles) and I've read her book (UnWifeable) AND I also love supporting fellow artists,writers etc., I’m committed to doing this. 

I’m having one of those fucked up days, however, that began with me getting overwhelmed from the jump.  I awoke to the “Ripples” alarm sound from my iphone at 10:45AM and hit snooze twice.  The alarm was set in order to attend to my car moving duties, which are militant regimens of egregious alternate side parking assigned to the Brooklyn neighborhoods to generate revenue for the city (Assholes).

Boy, if you can’t get up for 11:00AM.  That’s what I was thinking this morning when I was groggy and dragging myself in my Adidas track pants and flip flops passed Nostrand Avenue down a few blocks by the late night liquor store over to my parked 03 Camry.  But you know the real me hates anybody who conforms to capitalism (aka gets up early) and particularly when said capitalists look down on night people such as the aging senile dick of an attorney that I work for.   When you go to ask a question about work, he responds with snarky sarcastic questions, “what do you think you’re supposed to respond with…” and I’m thinking I'm asking YOU for fukks sake, and also you don’t pay me enough to think and frankly I don’t give a shit. He can actually be okay, I just work really hard and burn out quick.  I digress.  Part of my frustration with today is I have some big items that I have to take care of.  Rather than just start doing one of the things, I end up shutting down with a paralysis that causes me to do nothing.  So I’m excited to write my friend’s wife’s book review because writing leads to more writing and will at least get me started on something.  Any writer will tell you there will be a million obstacles in your way before you actually sit down to write like the bathroom needs to be painted or the cat needs to be scrubbed in a Lawrence Welk bubble-bath or you need more hazelnut in your coffee cake or whatever.  Hours of this can go on before you actually start, if at all. 

In my elation of landing this assignment, I go to get the book which I do remember seeing despite the fact that I recently moved and I don’t know where a lot of things are, except I can’t find it.  I actually go back out to my car (which is now conveniently parked across the street) because there are random boxes still in the car from the move and I could quite possibly have randomly put a book I had in my apartment, back in the car in a box.  I rifle through the boxes.  No book.  I go back to my apartment and start looking in weird places like the refrigerator and closets and in cabinets in the kitchen.  I can’t find the flipping thing and I know I saw it.  Now my mood begins to plummet because this one task was going to be a catalyst into other productive things!  This was going to rescue me from the pit of despair!  I can’t seem to focus lately and I’m not sure if I have ADD or ADHD or just have pure hate for things.  It could very likely be from lack of sex and over-working myself.  Yep.  Working for the man and no sex'll kill ya.  Not enough creative work and a lackluster work situation could drive anybody nuts.  Actually, it's a vampire blood-sucking, soul crushing day job.  It's only part-time, but still.  Then I go from those thoughts (which are true and quite rational) to:

Why can’t I ever make enough money?  Why can’t I get work in the arts?  Any time I’ve tried to work at a gallery it seems they either want an unpaid intern or a director.  There is nothing in between.  It’s as if there never was an assistant director position on the face of the earth, or any galaxy, ever in the universe.  The few listings I have seen require a Master’s degree which is plain bullshit.  Why is everything so frustrating?  and I want a Master's degree for fukkkkk.....sssss.... sake.

All these thoughts barrage me in lieu of the missing book.  I enter the pit of despair, but Billy Crystal and Carol Kane are not there cheer-leading my mis-adventurous tirade of storming the castle.  Then I have a meltdown.  A full-on, punch something, yell and then cry meltdown-to-immediate-depression.  My friend texts that it’s easy to get depressed.  It’s a depressing world and seems there are more douchebags than nice people and that he wants to adopt a dog and move into the woods.  This cheers me up some or at least validates the shittiness of it all.   Finally it dawns on me to ask my roommate.  I might have actually lent it to him.  Yep.  He has it.  Somewhere between the meltdown and the realization about the roommate, I stop to write this.

SHUT UP AND LOOK GOOD

I started comedy a while ago.   A long time ago.  I was married.  It was different.  I’m a comic in New York now, I’m single, and I am having a hard time.  Well, wait a day and ask me, and I will say it’s great.  A lot of my perspective hinges on where I got on last, how much money I made this month and if my new stuff worked somewhere.  But generally, and in particular, this week, things are shitty.

I’m not a new comic, but upon moving to New York I became new again in a way, having been unfamiliar with most of what goes on in the New York comedy scene.  It’s par for the course when moving to another city.

But when I ponder my situation a little deeper, what’s frustrating for me is my gender.  There comes a time when you realize, people don’t take you seriously if you are female.  People used to say “oh you do comedy that must be so hard.”  At the time I thought they were morons for saying so.  I used to think doing comedy was great.  You go to a club and work out ideas that you’ve been banging around i.e. funny thoughts, jaunts and stabs at people that irritate you.  It’s an activity that makes all the messed up stuff in your life have a shred of meaning and you make people feel better, including yourself.  It’s symbiotic and so creative.  But in time, I began to see what those annoying people meant.  Audiences are reluctant to like female comics.  And then there’s everybody else.   

When I first moved to New York a comic at Dangerfield’s said to me, “men in the Middle East have it right…women should be covered from head to toe in a berka and kept quiet.”  The same week another comedian gave me a spot at one of the clubs.  He was actually nice to me and happy to help me out, but the next night when I didn’t text him back right away, he texted, “Are you drunk or just a retard?”  Another time, in an effort to help me assimilate in New York, a friend of mine connected me with an established comic.  Long story short, the comic asked me to three-way with him and his girlfriend.

The problem starts when you actually want to make some kind of career out of it.  If you’re just doing your “sketches” at little dives here and there, it isn’t affecting anything.  You’re not challenging the status quo.  But when you have something to say, and when you want to be compensated for your work, now you are creating a wake.  In some cases, bookers don’t respect comics of the female gender, therefore, pay them less.  It is sort of known that back in the day, a now famous female comic was paid a lot less than all of the male headliners in Boston.  No wonder she left.    

In New York, it’s competitive.  Male comics will use their yang prowess to try and intimidate people they deem as inferior, I guess in an effort to stroke their own ego.  Either that or they’ll hit on you.  They’ll insult you.  At Times Square Arts Center, one of the comics said to me “I would never put two female comics on in a row…”  He really should just be embarrassed.  They also underestimate your  intelligence.  I don’t give a fuck what skinny, loser comics who are high have to say.  They are going for the easiest target which makes me question their intelligence and just screams insecurity.  They are trying to make me feel bad.  Look frightened little boy, it’s obvious you are steeped in self-hatred and exhaustion from having to suppress so many secret homosexual urges, that your shame only elicits intense insecurity, I’m here to tell ya, the rest of society takes care of my feeling bad about myself.  Women experience this constantly with sexist, objectifying images in advertising, in conversations and inappropriate glances.  Do you think your stupid comment is upsetting?  You’re just a buffoon, who’s clearly threatened by the possibility that a female comic will steal your shitty $25 dollar spot at a dump in the theatre district.  At the time I didn't respond.  

When frustrated with standup, I used to say “I should have been a dancer,” probably because society values women by their looks.  They really want us to just shut up and look good.  We are socialized to believe that women are second class citizens.  Female comics have to work hard despite this.  I think some women are confused about where their gender fits into performing.  They dress up too much.  They dress provocatively.  A lot of skin showing.  They look like a friggen peacock.  I like George Carlin.  He dressed in all black.  Like an artist should.  If you are a singer or a stripper, then by all means, wear the dress.  I just don’t see the connection with comedy.  You see minimalist theatre and they are in all black.  They’re not stuffed in a dress, in heels with their arms showing.    Everybody acts like I’m wrong because I want to be valued for my intelligence and talent and everything but my looks.  If I felt I was good looking, I wouldn’t be doing standup in the first place and female comics who use their looks are not into the craft and probably want to be an actress.  

This is a bigger issue than I thought.  Because a baby comes out of our person, we are somehow deemed as less than?   When you see a guy comic two years in, who automatically receives more credibility from the audience than your 14 years, it’s disheartening to say the least.  side note: I did read Gloria Steinem books when I was seventeen, followed by Camile Paglia, among others.  I blocked it out for a period of time.  I think for a while I chose to look the other way, for fear that I would be miserable if I was always thinking about this.  However, now that I do standup, and I’m a lot older, there is absolutely no escaping the staunch reality of sexism and inequality.  It only magnifies with time.

People have gone out of their way after a show to say “we don’t usually like female comics, but we really liked you.”  A booker of a big club in Boston said to me while we were backstage about a comic who was on stage, “she’s not that funny but she’s nice to look at.”   

Another time in Boston a booker told me right to my face that “all these paid comics are hacky…”  He was only referring to some of the funniest comedians ever on the planet.  He also mentioned my then husband.  Why would you say that to someone’s wife?  Was I supposed to be impressed by a guy who never paid comics upstairs from a Chinese restaurant?  Maybe people just think that my entire gender is dumb. 

[The word cunt doesn’t offend me at all.

Most of the time when I use it, I’m referring to a man]

-Tweet from me:  @stacykendro

Often society’s message is we’re just arm candy.  How quaint.  A large part of being female (and this is deep in the psyche of most women) is the need to ingratiate yourself to people.  That’s the hard part – being so dam agreeable.  We are socialized to make others feel comfortable, which means if you are a jerk to me, I will smile.  Sometimes, that is the thing for someone with manners to do.  However, don’t mistake my politeness for passivity.  Now I’m talking about New York.  In an effort to take the high road, or to make you believe you didn’t really get to me, I might not retaliate right away.  But just know that I’m Albanian.  I will be planning your demise.  Well, at least I will go home and write about you, but take heed because if you catch me on a bad day, who knows.  Even though “vendetta” is an Italian word, just ask people in the Bronx and they’ll tell you which nationality is scarier.

originally published 12/10/17

WHY DO I ALWAYS WANT TO MOVE BACK TO BOSTON?

I’m writing all this out because it helps me sort out the lunacy of being a creative person in New York.  I got weepy on the plane coming back from Florida which makes no sense (I don’t really do that).  I felt I wanted to move back to Boston.  I think that coming to New York because you’re a creative person is a great, yet terrible idea.  I think I take one step forward (just performed at the Friars Club), and three steps back (I drink more now than I ever did).

I still have this issue where I don’t want to emotionally commit to comedy. 

It’s hard to commit to anything, emotionally.  I think it’s funny (or not) that men have a hard time committing to women.  I resist committing to my career because that’s way scarier than giving someone half the house.  It’s a huge gamble.  A lot of people are doing it (in New York at any given time there is a free comedy show somewhere, several, even, on a single block). 

New York is a gamble and apparently I’m Ginger from Scorcese’s Casino cuz I’m rollin’ the dice baby.  Men don’t want to commit because it might ruin their life.  That’s the same reason I resist pushing with my career.  It’s fear.  Ah, that little bugger.  It also depends on what day you catch me on.  When I used to work Vegas twice a year, I was, in my mind, in show business for reals. 

Comedians are an interesting faction of show business, because we work the hardest and get the least respect.  We are like boxers.  We take all the risk.  We are the writer, producer, editor, performer, booking and marketing person.  So, No, your wife could not be a comedian.  No wonder I want to quit often.  But I’ve only felt that way since moving to New York so I blame the Yankees. 

We get the least respect because we are alone on stage so we get heckled sometimes, and the bookers are all frustrated performers with fickle personalities, who are just looking for an excuse not to book you.  I think I’m going to a Met game.

When I got booked in Vegas, I worked at the Riviera.  You got a pink hotel room overlooking the pool and comped dinners.  Let me tell you something, two shows a night for seven days, I woulda ate Chef Boy Ardee, I was so happy.  But the reality of a day job is enough to make you want to die by some epic, old school way like consumption or sticking your head in an oven.

This double life is what is getting to me.  (And I sort of get fired a lot).  I come back to the day job after Vegas, back to the meaninglessness and futility of it all, and it’s hard to take.  No wonder I drink too much.  It’s all garbage.  That is why I cried on the plane.  First of all, I am a New Englander.  Being in the 80 degree weather of Florida in December and then parting from it is reason enough, but as I find I am scrawling this out in an airport, I’m thinking there are other reasons as well.

Everybody who is in the arts, specifically in New York City has this feeling I suspect – even if you’re crying, wanting to quit, fearing failure and/or fearing success).  But there is something that we're getting as payoff.  I suspect that it is the satisfaction that we are forging our own way in a city that many don't have the balls to move to, never mind navigate the pot hole laden thoroughfares.  New York demands the best out of an artist.  That is a good thing.  It requires an amalgam into what we aspire to.  We have to grow into that person which requires shedding old parts of ourselves.  Ultimately it’s what we want.  We want to be changed.  We just didn’t know it was going to be this hard.

CRASHING: INTERVIEW WITH GENO BISCONTE

I’ve been recording a podcast with a friend of mine.  For weeks we hadn't launched it because we’re comics.  What that means is we’re not organized.  It took a while but now we have it here.  The podcast is called Comic’ly Unstable.  This week we interviewed Geno Bisconte, who is a great, funny comedian and best friend of the host, Tommy A.  Geno has his own show on the Cumia Network and you can go check it out here:  www.compoundmedia.com/show/in-hot-water/   We all go way back and the connection is comedy and Brooklyn.  Those two lived together at one point and although it was a great interview, the bromance between them was practically filling the room like a big, thick cloud.
   

Comedy careers have ups and downs and are completely unpredictable.  My experience is sometimes you’re in Vegas making serious money and sometimes you’re in rural Pennsylvania telling jokes to a drunk bridal party for $100 bucks questioning all of your life decisions up until that point.    After talking with Geno it became evident that his timeline has been no less dramatic.  Recent highlights for him are appearing in HBO’s Crashing a new sitcom starring Pete Holmes about standup comics in New York.  He was invited to roast Gary Busey at the Friar’s club which is a New York staple for show business.  It was founded by Milton Berle and the current abbot is Jerry Lewis.  All that said, the interview was more about hard times and how to endure them, and coming out the other side.

He told us at one point, he was living in his car.  The lease ended at his apartment and his then roommate was going to LA and rather than deal with getting a new apartment right away, he decided to wing it.  He slept in Jersey at his aunts at times, and much like Pete Holmes character in the aforementioned show Crashing, he slept on friends’ couches. 

What I came away with after listening to him is that it might get impossibly hard, but it will be worth it to stick it out.  New York and living for your art is pretty challenging.  Particularly, (especially) if you’ve chosen either New York or LA.  You have ups and downs and take risks that would cripple other people.  I suspect most people would never wager such a bet because it definitely blows up in your face at times.  You do shows, you get work, you get fired, you get rejected.  You do shitty gigs, and you probably develop a drinking problem, but here’s a side note, if your life is in the toilet but you are grateful for those gigs, you might be headed in the right direction.  I’d rather enjoy myself at a dump in New Jersey and have a good time than be sitting in the back of the room rolling my eyes and lamenting at how shitty it all is.  But we’ve all been on either side of that fence.

The business is tough.  You have to have conviction.  I suspect that the wake that is created by trying to be true to yourself will be made up of the good, the bad and the ugly.  <---- but how amazing is that?  You have to deal with the shit, but you ultimately will revel in the glory.  I think this is what he was getting at.

My take after doing standup 14 years, and the point of a lot of what Mr. Bisconte was getting at, is the fallout that sticking to your guns creates is, at times unbearable, albeit fucked up.  You lose relationships, apartments, jobs, cars.  There is no safety net and it’s terrifying, but you have to stick it out. <--- (this is exactly what I’m currently going through with comedy + life).  But isn’t it strange i.e. the universe’s timing of this interview and my own crisis?  <--- (maybe not.  Most comics are having crises).

If you are gifted the freedom of a catastrophe, but then get to the point where you’re not ruined by it, I bet it’s the best feeling in the world.  I’m still going through it, so I’m suffering somewhat, but Geno seemed content.  I must state this again because none of the comics I know feel this way ---> he seemed happy ! 

We’re all sort of waiting for the reward, but I’m sensing that it’s already here.  <--- the trick is to feel that way regardless of circumstances.  Artists live life on their own terms, which isn’t always great, but I think it’s the conviction of saying “I can do this” that is so empowering.  You can come out the other side and say you didn’t die.  You’re still here as Elaine Stritch epitomized.  At present, I have a part-time office job, roommates from hell & my car got totaled so I’m not 100% feeling this, I’m sort of mad at the universe, but you know who isn’t?  Geno Bisconte.  Twitter: https://twitter.com/genobisconte

WHY DO I ALWAYS WANT TO MOVE BACK TO BOSTON? Part I

I’m writing all this out because it helps me sort out the lunacy of being a creative person in New York.

I got weepy on the plane coming back from Florida which makes no sense (I don’t really do that), and it made me want to move back to Boston.  I think that coming to New York because you’re a creative person is a great, yet terrible idea.  I think I take one step forward (was just at the Friars Club), and three steps back (I drink more now than I ever did).

I still have this issue where I don’t want to emotionally commit to comedy.  It’s hard to commit to anything, emotionally.  I think it’s funny (or not) that men have a hard time committing to women.  I resist committing to my career because that’s way scarier than giving someone half the house.  It’s a huge gamble.  A lot of people are taking the plunge into performing (in New York, at any given time, there is a free comedy show, somewhere; several, even, on a single block). 

New York is a gamble (and apparently I’m Ginger from Scorcese’s Casino) cuz I’m rollin’ the dice baby.  Men don’t want to commit because it might ruin their life.  That’s the same reason I resist pushing with my career.  It’s fear.  Ah, that little bugger.  It also depends on what day you catch me on.  When I used to work Vegas twice a year, I was, in my mind, in show business (to some degree). 

Comedians are an interesting faction of show business, because we work the hardest and get the least respect.  We are like boxers.  We take all the risk.  We are the writer, producer, editor, performer, booking and marketing person.  No wonder I want to quit often.  But I’ve only felt that way since moving to New York so I blame the Yankees. 

We get the least respect because we are alone on stage so we get heckled sometimes, and the bookers are all frustrated performers with fickle personalities, who are just looking for an excuse not to book you.  I think I’m going to a Met game.

When I got booked in Vegas, I worked at the Riviera.  You got a hotel and had meals at the employee cafeteria.  Let me tell you something, two shows a night for seven days, I woulda ate Chef Boyardee.  But the reality of a day job is enough to make you want to die by some epic, old school way like consumption or sticking your head in an oven.

This double life is what is getting to me.  (and I sort of get fired a lot).  I come back to the day job after Vegas, back to the meaninglessness and futility of it all, and it’s hard to take.  No wonder I drink too much.  It’s all garbage.  That is why I cried on the plane.  First of all, I am a New Englander.  Being in the 80 degree weather of Florida in December and then parting from it is reason enough, but as I find I am scrawling this out in an airport, I’m thinking there are other reasons as well.

Everybody who does comedy SPECIFICALLY in New York City has this I suspect – even if you’re doing well (this being=crying, wanting to quit, fear of commitment).  But there is something that we're getting as a payoff.  I suspect that it is the satisfaction that we are forging our own way in a city that many don't have the balls to move to, never mind navigate the pot hole-laden thoroughfares.  New York demands the best out of an artist.  That is a good thing.  It requires an amalgam of ourselves into what we aspire to become.  Ultimately it’s what we want.  We want to be changed.  We just didn’t know it was going to be this hard.